I’ve sent this version of N&V off to a couple of beta readers. I’m too close to this draft to see the right shape. i know things are missing, but I’m not sure what. Hopefully, some outsider views can give me a better picture.
Working on a new book, just a fun little thing for me, and reading. So here are two small not-reviews.
CITY OF DREAMS – HARRIET STEEL
City of Dreams is the first in a planned historical series following the life and adventures of Anna, who starts off as the young daughter of a Russian furrier, and by the end of this book has changed cities, married a scoundrel, fallen from grace, become a mistress-for-hire, and slowly rebuilt her life in Paris.
Set in the lead up to and during the Franco-Prussian war, it’s a fast-paced and enjoyable read. The writing is invisible (a type that’s surprisingly hard to master), with little in the way of metaphorical ornamentation, but it works well with the first person narrative of Anna herself, and I found that I’d finished the book within a few hours in a single sitting.
I can’t speak to the accuracy of the history, but we do see the horror of living through a war, and again through the internal unrest in Paris during the rise and defeat of the Communards.
Anna makes connections and friends in Paris (sometimes a little too easily for my taste, though) that see her through the terrible things she must endure. She might start off the story aa a naive little child-bride, with seemingly barely a thought in her head, but she is quickly thrown into unexpected circumstances that give us her true mettle, and by the end she has matured and taken on something of a grave and quiet responsibility to those who have helped her.
There is romance, but it is not the impetus and is far from cloying. The real focus is not on Anna’s romantic entanglements, but on how she develops, and on the network of people she gathers around her. It’s a novel more of friendships than love affairs.
I will be looking forward to reading more of Steel’s work.
After that I read LIGHTHOUSEKEEPING by JEANETTE WINTERSON
Lighthousekeeping is a story about stories. We meet the narrator Silver as a child, her story told in the framework of the improbable. Child-Silver seems like something from a fairy-tale, albeit a dark and thin one. Fatherless, then orphaned, and finally handed on to the Lighthouse Keeper of Salts, she grows up strange, her world made of dark and light. Pew is blind, and he teaches her about light. How stories are light, and how it isn’t light that saves the sailors, but stories.
Eventually the lighthouse is automated (the stories lost) and Silver must venture into another world, one she barely seems to understand. Reality is something she cannot truly grasp, though perhaps it could be said her quest for reality becomes her quest for love.
Intertwined in Silver’s story are others about light and dark, man and man-beast, love and magic – Pew tells her the story of Babel Dark and Molly O’Rourke, and there are others; Tristan and Isolde, and the two parallels of Robert Louis Stevenson and Darwin (magic and humanity intertwined with science and evolution).
Our story is so simple. I went to bring you back for someone else, and won you for myself. Magic, they all said later, and it was, but not the kind that can be brewed.
And the final story, of Adult-Silver, recounting love. because love is also a story, and she tells her lover the words that shape them.
Turn down the daily noise and at first there is the relief of silence. And then, very quietly, as quiet as light, meaning returns. Words are the part of silence that can be spoken.
I’m a huge fan of Winterson’s style – her descriptions, the puzzle-piece way her novels are structured. I really enjoyed this read, constantly wanting to underline phrases and lines. If you’re looking for a structured plot and a grand climax, you’re not going to get it. This is more intimate. It is overheard conversations, remembering pieces of stories while falling asleep. And it’s beautiful for it, like almost understanding the truth